Friday, June 8, 2012
Good News from the Yiddish World 2
As has been typical with my writing on this blog my promise to write a second half of “Good News in the Yiddish World” within a matter of weeks has turned into an abject failure since I’m starting on this post a year and a half later. All the same, I thought it was important to round up some of the good things happening within the Yiddish speaking world in general and Yiddishist communities in particular again in English. As you will see there are, as always, a lot of different things going on at once.
I started the last entry of “Good News in the Yiddish World” by explaining that I did not want to highlight any of my own work/involvements on my blog. The reason for this is that I feel that it is a bit immodest and in bad taste. The truth this time around, however, is that since I’m now the chairman of Yugntruf-Youth for Yiddish and a fellow at the Yiddish Book Center I’m involved in far too many important initiatives in the Yiddish world for me to omit them in a summary of recent events. So in order to maintain some level of modesty I’ll recount two of the important things I’m involved with first with brief summaries so that I can get onto what other people are doing more quickly.
1. I'm working on an historic and incredible digitization project at the Yiddish Book Center involving recordings from the collections of the Jewish Public Library of Montreal. The importance of the collection and the quality of the recordings are unprecedented for material that will be made available to the public. You can read about the project in this article from the Yiddish Book Center’s magazine Pakn Treger by Nancy Sherman as well in a blog post I wrote for the fellows’ blog “Tsum Yarid." Aaron Lansky, the founder and president of the Yiddish Book Center also conducted an audio interview with me about the collection which you can listen to here. Additionally, I am making films using excerpts from the Montreal Reel to Reel collections combined with still photography and English subtitles in order to highlight some of these recordings and make pieces of them accessible to a non-Yiddish speaking audience. The films are being released under the title “Oytsres: Treasures from the Frances Brandt Online YiddishAudio Library.” I am particularly proud of my film featuring a speech given by Chaim Grade in 1958 on his thoughts on the significance of modern Yiddish literature in Jewish history. Working on this material has been a profound honor and you will be seeing and hearing a lot more about it once the first batch of the recordings become available online in July.
2. Yugntruf Youth for Yiddish recently announced the re-launch of its youth-oriented eponymous Yiddish language magazine Yugntruf. In order to stimulate more young people to write creatively in Yiddish we have released a call for submissions for a contest to find the best original short story and poem written in Yiddish by a writer younger than 35 years of age. The authors of the two winning entries will each receive a cash prize of 500 dollars and publication in the Yugntruf Zhurnal. In addition to fictional stories and poetry the journal will feature editorials, reportages and letters written by and for young Yiddish speakers from around the world. For more on the contest here see here (English) and here (Yiddish) . Leyzer Burko and I will be the editors-in-chief and several others will contribute their knowledge as copy and design editors. We are also looking for original works of art in any medium. Please help spread the word.
3. I was also interviewed by the Yiddish Forward about my work at the Yiddish Book Center, Yugntruf and some of my ideas about revitalizing Yiddish.
4. Kevin Scannell, who founded and runs the indigenoustweets project interviewed me about Yiddish revitalization efforts and technology for his project’s blog in November of 2011. You can read the interview here. In my opinion Dr. Scannell’s project is the single most exciting and important effort on behalf of a wide variety of indigenous and minority languages in the arena of computer technology since the dawn of the internet. The indigenoustweets website employs a variety of webcrawling robots which figure out what language someone on Twitter or Blogger is using and makes lists of the rarer languages so that speakers of a particular language can find one another. The site thereby highlights the increasing linguistic diversity of the web and encourages others to tweet in indigenous and minority languages. Dr. Scannell further uses his website as a way to spread resources for language localization and helps speakers of indigenous and minority languages create Twitter, Facebook and Mozilla translations in their languages. The project is worthy of a book-length write-up so I’m not going to try to summarize every aspect of it here but you can read/hear more about it at the following links: here (an interview with Kevin) and here (an article about his work) . You can see the full list of more than 125 languages and their twitter users here. Here is the listing for Yiddish. Per the Indigenoustweets’ counter there are currently 258 people who have tweeted in Yiddish and they have sent an astounding 25,000+ Tweets.
One historic function that Yiddish played on Twitter was serving as the test-case for trending hashtags in right to left languages. Dr. Scannell sent the first such tag to my Twitter account to show that the function was working. You can see my Retweet of the historic Tweet here. For Yiddish Twitter users being able to make a right to left hashtag is very cool but it’s not likely that such a hashtag will ever trend, let alone change the course of historical events. But Dr. Scannell’s breakthrough could (and probably is) literally saving lives in places like Syria and Bahrain where Tweets in Arabic are being used to warn protestors and revolutionaries of impending military crackdowns and to get the word out about atrocities. Before March a person tweeting in Arabic was forced to use hastags in Latin letters which were not readily accessible to people not proficient in the alphabet. Now if a person in Syria needs information on a particular neighborhood in a particular city they can search through Arabic hashtags for it, which means that they will find the information they need more quickly. Within a day of the first Tweet to my account I saw hashtags popping up on my Twitter feed in Hebrew, Arabic and of course, Yiddish. In short, I’m proud to have made a tiny cameo in this historic event and of course I’m extremely grateful to Dr. Scannell for featuring an interview with me alongside other accomplished language activists from around the world.
5. There have been all sorts of interesting creative and artistic projects in Yiddish in the past two years and among the strongest have been some great songs coming out of the Hasidic world. Yoely Lebovits, the self-appointed and beloved Pester-Rebbe, is an actor, Badkhen (a Jewish cross between a wedding-jester, comedian and master of ceremonies) and creator of Yiddish comedy CDs. He’s also a talented singer who like his friend Lipa Schmeltzer incorporates musical styles and trends that originate from well outside the confines of traditional Jewish music. My favorite of his recent songs is a bilingual (mostly Yiddish) country-ditty which is a metaphysical meditation on getting pulled over on the New York thruway due to transporting misbehaving children. In what other country song (and in what language but Yiddish) will one encounter dancing goats?
On a more serious note from the world of Hasidic music there have been some interesting recreations/translations of popular Israeli songs into Yiddish. Shlomo Artzi’s popular song “Moon” was recorded in a more religious version by the Hasidic singer Dudi Kalish. The beautiful and haunting recording actually made it onto mainstream Israeli radio in Yiddish in the summer of 2010.
In a more faithful translation the Hasidic singer Shimmy Engel teamed up with popular Modern Orthodox Israeli singer Yishai Lapidot to record a bilingual version of Lapidot’s beloved classic “My Little Leaf.” The Yiddish version of the lyrics was written by Motty Illowitz. The music video switches seamlessly between Israel and Hebrew and New York and Yiddish with the two versions of the song and their respective singers complimenting each other. Collaborations like this between Israeli modern-Orthodox singers and Hasidic singers in the US are a new phenomenon that will hopefully continue and lead to more great music.
Other than weddings and Bar-Mitzvahs the biggest social events in the Hasidic world are fundraising dinners. Music videos featuring Yiddish songs specially composed for these dinners are often shown and some of them end up on Youtube. Here are two such films from the Vizhnitz Hasidic sect in Israel. The first has bilingual (Yiddish/Hebrew) subtitles; the second has only Yiddish subtitles. The first music video is a tribute to the sect’s Rebbe, showing him as a father to all of his followers. The second is a tribute to the pre-war Vizhnitz yeshiva and its reestablishment in Israel.
Both films feature many typical elements of the genre, including extremely melodramatic lyrics and imagery sung by young boys (as women cannot sing publicly in front of men). Like most of these songs the two here highlight cultural continuity. One of the verses of the second song speaks of “continuing the thread” and the metaphor is further developed by the fact that the song’s protagonist is a tailor. Videos such as these provide invaluable insights into how Hasidic communities chose to portray themselves to their own members and how they retell the history of the Holocaust.
6. On the more secular side of Yiddish music a constant bright-spot in recent years has been the work of Daniel Kahn. I won’t get into Kahn’s music too much for now because I am planning on eventually writing a full blogpost on him and some of his fellow travellers but for the time being you can get a feel for his work from the music video for his reworking of a Mordechai Gebirtig song from the 1930s. If the Occupy Wall Street movement had a Yiddish language anthem, it would sound (and look) quite a bit like this.
7. Language teaching websites and computer programs that students of other languages take for granted are not available for students of Yiddish because there is practically no market for them and very little governmental support to create such programming. Hence it is always good news when any online Yiddish teaching websites appear and the Swedish government’s office for minority and regional languages (Yiddish is an official language of Sweden) has created what is by far the best online Yiddish resource. It is a trilingual (English,Yiddish, and Swedish) picture-dictionary with sound that features thousands of words categorized by topic. Although a few of the words did not meet the approval of Yiddishist colleagues and friends (too Daytshmerish, or a word being an odd neologism were the most common complaints) the website has been met with near-universal acclaim and is being used in several Yiddish classes. It is especially well suited for young Yiddish speaking children who seek to expand their vocabulary in any of the three languages. Even I, who pride myself on my knowledge of all sorts of obscure Yiddish vocabulary, have learned a dozen or so words from the site (moose!, lily, lynx, octagon, etc). The only confusing aspect of the site is that you must click on “Jiddsich” repeatedly in order to refresh it whenever you switch languages or load a page for the first time.
8. Yiddish and Eastern-European Jewish culture more broadly are famous for being terribly covered by the media and the worst offenders are usually writers for Jewish publications and/or New York newspapers. The situation is so longstanding and predictable that two people I know are actually writing academic papers and books on how and why Yiddish is portrayed so badly in the media that as I like to tell people it “manages to disprove the old adage that ‘all publicity is good publicity’.” With this in mind you can understand why I’m suspicious when I meet journalists who want to write something about Yiddish culture, especially ones I fear might want to write the always popular and never original “Yiddish is still dying but now a bit more slowly than before” type stories that are published at least somewhere every month. But when I met Columbia journalism students Sam Guzik and Miranda Neubauer at a Yugntruf event in early 2010 I was instantly won over by their dedication to the story and passed along the names and contact information of a dozen people to them (to their credit they had already talked to half of them!) Instead of merely writing an article for a journalism class they produced an entire website composed of videos, interviews, interactive timelines and more. The final product, http://thisisyiddish.com/index.html focuses on Yiddish in New York City. In particular the site focuses on the use of Yiddish outside of Hasidic communities and although it rightfully places its subjects into historical context as being rarities it does so without portraying them as being quixotic freaks. Pound for pound (bitmap for bitmap?) the resulting website is the best site on contemporary Yiddish culture not created by a Yiddish organization. The article and film on Yugntruf and Yiddish farm are especially worth seeing.
Hopefully more projects like this will emerge in the coming years and there will be a generational change in terms of how the language is covered in the media.
9. Since it was mentioned in the previous section on Sam Guzik’s and Miranda Neubauer’s project I feel that it’s time to get to the single most exciting new initiative in the Yiddish World of the past two years: Yiddish Farm. When Yiddish Farm co-founder Yisroel Bass first told me his idea of starting a Yiddish speaking organic farm about four years ago I told him that I thought the idea would go nowhere due to a lack of interest. Thankfully, he didn’t listen to me because as it turned out I was about as right as Decca Records when they rejected the Beatles because they felt that guitar music was on the way out. Yiddish Farm has been an unprecedented success and has breathed fresh air (both literally and figuratively) into the lungs of Yiddish speakers and students. Yiddish Farm has been successful for a variety of reasons, some expected and others totally unanticipated. Like wider American society the Jewish world has seen a huge uptick in interest in organic farming and Yiddish Farm has taken advantage of this by recruiting people with a background in farming who are interested in learning Yiddish as well as native Yiddish speakers and advanced students of Yiddish who are interested in learning about farming. Yiddish Farm’s two summer sessions (one for Yiddish speakers and one for those learning Yiddish from scratch) provide one of the few places outside of the Hasidic world where someone can be fully immersed in Yiddish. One unexpected factor that has greatly helped Yiddish farm has been how much the project has been embraced by some Hasidic Jews in nearby Kiryas Joel who help out on the farm, send Yeshiva students to deliver compost and of course provide additional native Yiddish speakers. The farm was even featured in a Hasidic music video where Yisroel makes a cameo.
The farm not only provides a bridge between modern-Orthodox, Hasidic and secular Jews but also is part of a small-scale revival of the idea of Jewish territorialism inspired in part by Yisroel’s studying of the history of the Freeland League. You can learn more about this important project from their website as well as from this piece co-founder Naftali Ejdelman published in the Algeimeiner Journal and from an interview that the Yiddish Book Center conducted with Naftali.
10. I have both felt and argued for the past several years that the greatest untapped treasure of all of Jewish history for historians is the pre-WW2 European Jewish Press, especially the newspapers in Yiddish and Ladino. While nearly every ancient Hebrew manuscript, religious text, and line of the Bible has been poured over dozens of times, millions of pages of newspapers that detail daily Jewish life remain almost entirely unexplored. Both the Yiddish and Ladino presses were used to establish national identities without nations and as national presses the way in which even the most seemingly apolitical of stories were written carried political connotations. Most Jewish newspapers today outside of Israel are weeklies that cover intra-community affairs and little else. In the interwar period, however, the more than 100 daily Yiddish newspapers in Europe covered all local, national, and international news as well as stories that were of unique interest to the Jewish community. Needless to say what one can learn from these newspapers is nearly limitless. How did, for instance, a Jewish newspaper in Lodz report on Yeshiva students caught smuggling cocaine? How did a people who were not supposed to make graven images sell makeup? How did Jews poke fun at themselves? What did Polish or Lithuanian or Latvian Jewry think of their cousins in America? How did serious scholarship on historical religious figures like Rebbe Nachman of Breslov written by esteemed figures like Hillel Zeitlin share space with trashy soap-opera like “shund” dime-novels? I’ve learned the answers to all of these questions and others by reading the interwar Yiddish press. Unfortunately very few people can do so because you have to A. know Yiddish and B. until very recently you had to go to one of the dozen or so libraries in the world where the newspapers survive on microfilm and then you had to sit and look for things at random on a microfilm machine. Needless to say, these newspapers are severely underused in academic research and nearly completely ignored by non-scholars. Which is a real shame because if you want to know what daily life was like for a Jew in Greece or Poland between the 1830s and the Holocaust the best place to look is at the newspapers they read.
In early 2011 with absolutely no fanfare the Lithuanian government put a non-comprehensive but nonetheless quite extensive collection of publications from the interwar period online in PDF form. Altogether the collection makes up tens or (possibly) hundreds of thousands of pages of text in Yiddish and tens of millions of pages in Russian, Lithuanian and Polish. You can view the collection here. To search for publications in Yiddish select Jidiš under Kalba. Among the many treasures to be found are issues of Yivo-Bleter (a Jewish-Studies journal from the YIVO Institute), the famous health publication edited by Tsemakh Shabad folks-gezunt (literally “People’s Health” but more along the lines of “Public Health”), the popular children’s magazine Grinike Beymelekh (Green Trees), and the popular Vilna newspaper Vilner-Tog (published under different names, sometimes “The Day,” sometimes “Vilnius Day.”) Needless to say I’ve spent several hundred hours reading through these publications and I feel that it’s well worth the time for anyone who can read the language to do so as well.
In addition to the publications put online by the Lithuanian government (all of which were published in what is now Lithuania), the National Library of Israel in partnership with Tel Aviv University put up the Warsaw newspaper Haynt (Today) in a version that can searched by author and article title. The digitized newspaper is part of the stunning “Historical Jewish Press” project which features newspapers from throughout the Jewish Diaspora and Mandate Palestine. The entry on Haynt features an impressive scholarly introduction by Avraham Novershtern in English.
Hopefully the presence of these newspapers on the internet will lead to more people reading them as they can now be read at any time anywhere in the world (traveling to New York from New Brunswick, New Jersey just to read a 70 year old newspaper was too much even for me to do on a regular basis.) But since few people can read Yiddish and the memory of the world of interwar Polish Jewry is quickly receding into the historical past it is becoming an increasingly important task with every passing year to bring the historical material in the pre-war Jewish press to life for a wider readership. And nobody does that better than Dr. Eddy Portnoy, professor of Yiddish-language and literature at Rutgers University. Unlike most historians who focus on highbrow culture and write for a small audience of academics, Dr. Portnoy is a scholar of popular culture who writes in large part for a general audience. Dr. Portnoy published a wonderful series of articles on the Jewish Press in Tablet Magazine from mid-2009 until early 2011. You can read my three favorites here, here and here.
11. Reading through historical Yiddish language publications I’m always struck by how the intellectual level of the average publication far exceeded that of the average publication in English at the time. Much as American cultural critics have noted the alleged “hyper-masculinity” of certain populations I often argue that Yiddish culture exhibited a “hyper-intellectualism” during its heyday. This hyper-intellectualism was one way that Yiddish speaking intellectuals sought to counter the charges that Yiddish wasn’t a real language or culture.
Yiddish intellectual culture sought to bridge the traditional Jewish world with the latest advances of wider society while maintaining a separate cultural space that borrowed freely from surrounding cultures but was not consumed by it. As a stateless language without government agencies to conduct/fund research in it, Yiddish speakers needed to create and support their own institutions. The most legendary and important of these was the YIVO which functioned as both a graduate-school and a language-regulator for various school districts and which at its height published half a dozen academic journals on an extremely-high intellectual level in Yiddish. Among the journals were “Jewish Economics” (Monthly), “Jewish Sociology” (Monthly), “Jewish Ethnography” (quarterly) and “Yiddish for All” (monthly?), the last of which was written for a popular audience. In addition to the YIVO, Jewish trade associations published extremely intellectual journals such as publications for doctors, lawyers, union-organizers, linguists, historians and even sport-trainers. There were also, of course, numerous scholarly books on all aspects of Jewish life published in Yiddish.
One way that I try to demonstrate to people just how sophisticated some of these publications were is by showing off the bibliographies at the ends of articles and book-chapters. It’s not unusual to see a bibliography for a twenty page article that cites 25 sources spread over five languages (I once saw an article on the Bible that cited sources in 12 languages including Ancient Greek!). Before WW1 the most important languages for scholarly articles on Jewish scholarship (secondary and tertiary sources) were German and Russian with Yiddish, Hebrew, English and Polish lagging behind. German remained extremely important during the interwar period until the rise of the Nazi-Party shuttered most Jewish publications but Yiddish overtook the place of Russian as a language of Jewish scholarship throughout Poland, Lithuania and the Ukraine during that time. Although the murder of the Eastern-European Yiddish heartland greatly reduced scholarly publications in Yiddish the language remained a primary vehicle for publishing secondary and tertiary sources in Jewish studies long after the Holocaust. YIVO continued publishing scholarly collections in Yiddish (although English eventually overtook it) and the first scholarly journals on the Holocaust were both published in Yiddish (funem letstn khurbn being the most important). As specialized scholarly publications folded or switched to being published in English, Spanish, Russian, Polish or Hebrew, newspapers and literary magazines began to publish more scholarship in Yiddish. And the trend continues to this day. The Yiddish Forward has published several extraordinary articles by Dr. Yechiel Szeintuch in recent years that easily hold their own against scholarly work published in English (Dr. Szeintuch mostly writes and publishes in Hebrew). Dr. Szeintuch’s June 2011 article on Elie Wiesel’s Yiddish writings is particularly strong.
There is also still, amazingly, some serious scholarly work being published in Yiddish in fields well outside of Jewish Studies. Ghil’ad Zuckermann, the always fascinating and ever controversial linguist of Israeli Hebrew (which he terms “Israeli”) published a superb Yiddish language article on the Yiddish influences on Modern Hebrew in the Jerusalem-Almanac. You can see the article here. (In good Yiddish scholarly tradition it cites 22 sources spread over seven languages). Dr. Stephen Cohen, a chemist who has extensively researched the history of publishing about chemistry in Yiddish wrote an article in Yiddish on chemistry terminology in Yiddish for the magazine Oyfn Shvel which can be read online here. Among the many stunning features of the article is the entire periodic table with Yiddish equivalents.
In short, although it is but a trickle of what it once was, there still is sophisticated scholarly work being published in Yiddish and its continued existence is yet another symbol of the language’s tenacity.
12. Speaking of scholarship and Yiddish, the creation of dictionaries is probably the oldest form of linguistic scholarship. The history of Yiddish dictionaries extends back to at least 1542 when a Latin-Hebrew-Yiddish-German dictionary was published by Elia Levita (for comparison’s sake the first English dictionary was published only four years earlier). You can see a list of over 100 Yiddish dictionaries to be found at the YIVO here. Among the newest Yiddish dictionaries is a Yiddish-Japanese dictionary containing 28,000 entries that was compiled by Kazuo Ueda. The massive tome sells for 60,000 yen (nearly $800 dollars American) and is the first Yiddish dictionary for speakers of a non-European language other than Hebrew. You can read more about the dictionary in English here and in Yiddish here.
13. Although seven decades have passed since the beginning of World War 2 there are still elderly Jews scattered throughout Eastern Europe who remember the intricacies of Jewish life in their towns before the war. Some are even still living in the very same towns they grew up in. Poor diplomatic relations between the USSR and the West made interviewing and reaching these Holocaust survivors nearly impossible until the 1980s and such work did not begin in earnest on a large scale until the late 1990s. Several groups are now conducting yearly ethnographic expeditions to Eastern Europe in which informants are interviewed on film about a range of topics including their Yiddish dialect, their town’s folk-customs, personal/communal histories and the music they heard growing up. One of these ethnographers is Dr. Dmitri Slepovitch, a Belarusian expert on the Jewish music of the formerly Litvak Yiddish speaking territories and a world class musician in his own right. In addition to making the recordings available to scholars and the wider public, Dr. Slepovitch created an innovate show “Travelling the Yiddishland” in which he accompanies recordings of his own ethnographic informants on clarinet with a live band. All of the songs feature Russian and English subtitles. You can see a trailer
And here is a performance from the concert.
Dr. Dovid Katz has travelled throughout Lithuania and the Lithuanian-Jewish Diaspora for two decades interviewing people about folk-customs, linguistic nuances, the Holocaust and more. He is currently working on an atlas of the linguistic features of Lithuanian Yiddish, excerpts of which can be viewed here. Dr. Katz has also conducted numerous ethnographic interviews, excerpts of which can be seen here.
As with many things in life where as the song goes “you don’t know what you’ve got till it’s gone,” the true value of these ethnographic expeditions won’t be fully appreciated by most until it is no longer possible for such work to be done. As the historical era of native Yiddish speakers in Eastern Europe largely comes to a close projects such as these will enable the knowledge and insights of individual informants to be shared with both scholars and a popular audience well into the future. The fact that such work was, and still is, being conducted in the 21st century in situ decades after most thought that there would not be enough informants is a dramatic demonstration of the fact that historical memory and even linguistic competence (many of these people hadn’t spoken Yiddish in 30 plus years!) remain intact far longer than people would imagine. Hopefully this project will serve as a model for ethnographers and linguists working with other languages such as Romani and Adyghe that have been displaced by genocide.
14. There are a surprisingly large number of Yiddish textbooks for beginning Yiddish students (at least 13 serious ones for English speakers I’m familiar with) but there is a real dearth of material available for intermediate and advanced Yiddish Students when compared with other languages. The go-to standard for second year Yiddish students is Mordkhe Schaechter’s “Yiddish Two." The text, like all of Dr. Schaechter’s work is expertly crafted and extremely detailed and erudite and can serve as an excellent self study resource for the motivated independent learner. I myself worked my way through it and learned a lot of elements of advanced stylistics and aspects of the grammar of formal written Yiddish that I had never picked up passively reading or using the language with friends. But like most intermediate textbooks that focus on grammar Dr. Schaechter’s work cannot and should not be used alone, rather the intermediate or advanced student needs a series of texts to read to acquire passive vocabulary that are both authentic original literary texts and which are selected to match the level of the student. The texts in such “graded readers” should become progressively difficult as the book continues and should have glosses for the more difficult words written in the language the student is learning using the student’s native language only when absolutely necessary (i.e. in this case words should be glossed in Yiddish with Yiddish equivalents unless it’s impossible). With Spanish I can select among literally thousands of such texts as well as language arts books written for native speakers (my favorite Spanish reader I’ve used is actually a 9th grade literature textbook for Mexican public schools, it’s perfect for me as the difficult words are glossed with easier Spanish words). With Yiddish, however, there are only a few such books available so any new work is always welcome. And Yiddish students and interested Yiddish readers of all backgrounds just got a wonderful new graded Yiddish reader that has just been published by the Ohio State Press. The book, “Jerusalem of Lithuania” by Jerold Frakes includes several dozen selections from literary sources on the history of the Jewish community of Vilnius Lithuania. The texts are well glossed in Yiddish and are more than sufficiently interesting to serve as a book worth reading in its own right. In addition to its primary target audience of advanced Yiddish students, the book will also prove valuable for a native Yiddish speaker who wishes to improve his or her knowledge of literary Yiddish and/or Lithuanian Yiddish.
15. A wonderful movie about the life, times and writings of Sholem Aleichem was released this past year. You can read a review of the film here (Filmthreat.com gave it four starts!). Here is the trailer for the film.
16. I’m not a huge fan of mobile devices. Onetime when a 92 year old man at work asked me (in Yiddish) when Yiddish books would be available for kindles I didn’t understand what he was saying because I didn’t know what a kindle was and the word sounded like an odd dialectical pronunciation of a diminutive form of the Yiddish word for child (a colleague showed him how to get the books on his machine). My general attitude towards Ipads, droids, Ipods and the like is “why do I need this if I’ve already got a computer?” Despite my not understanding the need for them, I am extremely taken by the idea of “apps” and I recognize that there are some wonderful potential uses for apps as language learning tools. I would just prefer the apps to be on my computer! In any case, two great Yiddish apps have come out recently. The first is an app created by Rodolfo Niborski to teach children to write in Yiddish. A sequel to the ap teaches 350 Yiddish words.
The potential for parallel bilingual texts combined with built in dictionaries on mobile devices is endless and I highly suspect that many more such projects involving classic Yiddish texts will emerge in the coming years.
17. Despite my previous complaining about Yiddish’s habit of attracting terrible media coverage, there were two major stories on cable TV about the language that were decidedly positive. Meena Lifshe Viswanath was interviewed by CNN in February about her involvement with the language. And Spain’s national television network RTVE’s weekly show on Jewish culture “Shalom” dedicated half of an episode to the Yiddish language in the form of an extended interview with Rhoda Henelde Abecasis, a well known translator of Yiddish literature into Spanish.